Paravento, CIAC, Genazzano, 2010

In the work Paravento, the frames originally removed from the Roman worker housing and the vibration produced by a small electric generator suggest the fragility of the structure, put in dialogue with the space around.

The trembling windows as a peculiar point of view are in relation to the scale of the frescos inside the Chapel, where the representation occurs on a 1:1 scale below, while the upper figures appear in miniature; the aedicule adjoined later hides a part of the fresco in a not so different way from the modern building abuses.