This text combines reflections on contemporary creative process and a search for the ideal in conditions of destabilized reality, which is represented by the mythologem of Jennie, the heroine of Robert Nathan’s novel Portrait of Jennie, who is eminently present while at the same time remaining invisible.
Marco Fedele di Catrano’s work is informed and determined by the space for which it is made. His spatial interventions negotiate with an existing architectural layout, and, by displacing or surpassing it, they simultaneously…
“It is the rhetorical code that sets the tone that [……] most completely orients the map in its culture (in its sets of values), pointing in the very act of pointing somewhere else (to the globe), to itself, to its…… author, the society that produced it […]”
Lo spazio dell ‘immagine [The Space of the Image] – held at Foligno in 1967 – was the first great exhibition in Italy to celebrate environmental installation as a new dominant technique in artistic research. More than forty years later, this exhibition remains relevant for the direct line that connects it to the work of Marco Fedele di Catrano and …
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